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Drum
Major tryouts the spring following the National Championship season
was an exciting time for all Buckeyes and marching band members who
were still living off the celebration high of “that last game”.
In an exiting competition against five great candidates, Kathryn Mitchell
obtained the position of Drum Major and joined Shelley Graf as the
second female to enter the Drum Major “fraternity”.
Mitchell, a Columbus native who’s mother spent a little over
30 years working at OSU, had grown up cheering for the Buckeyes and
going to football
games with her father for as long as she could remember. She loved the
energy and excitement that existed on Saturdays in the fall.
When she entered high school – an interest in marching band was the
farthest thing in her mind. One Football Saturday, when Mitchell was 15-years-old,
on a whim, she attended her first Skull Session to watch the marching band
perform. The performance left her awe-struck. When Drum Major, Karl Neudorfer,
began to spin the baton and toss it high into the air, Mitchell could hardly
breathe.
"Although
I had seen the band before on the field, it was
the first time I had ever seen the Drum
Major
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up-close. The
marching band, combined with the Drum Major -- it was the most amazing
performance, and something I
never forgot. It really is The Best Damn Band In The Land! For the next
two years I went to as many games and Skull Sessions as I could to see
the Drum Major perform. I would envisioned myself down on the Skull Session
floor and performing as the OSUMB Drum Major. In the stadium I would envision
myself as the Drum Major on the field.”
“
The following spring my high school band director, John Stahl, who was
an OSUMB alumni introduced me to Shelley Graf. Shelley taught me my first
Drum Major lessons.” The next three years Mitchell held the position
as Drum Major for Centennial High School marching band. “Learning
to be Drum Major was one of the best experiences in my life, it helped
me to pull away from the mold of the ordinary high school or college student.
At the same time, I was able to be a part of something that brought excitement,
joy and pride to the people around me.”
During the summers Mitchell attended every summer session. “Shelley Graf,
Scott Sommer and Greg Eyer instructed me on twirling and strutting, their willingness
to help me and invest their time made a huge impact on my life. I always will
value their guidance, friendship and the opportunities they gave me.” In
Mitchell’s senior year she made the decision to take on the challenge of
becoming Drum Major for the OSUMB.
“
When I got to OSU, I realized that even though I had come along way in
my personal pursuit of becoming Drum Major, I was going to have to work
harder than I ever had before if I was going to even have a chance.”
“
My first tryouts in 2000, I did better than anyone expected me too, but
it was still about 50 miles away from the great performances of my competitors,
Matt Bally, Scott Sommer and Adam Prescott. The following year I tried
out again, I felt confident and that I had grown over the year and was
good enough to earn a spot. But my performance showed – I was not
ready. Afterwards, I felt I had failed myself when I lost at tryouts and
feared that the sense of failure would stick with me for the rest of my
life.”
The Columbus Dispatch wrote an article after tryouts about women not being
able
to ‘make the cut’ for a spot as OSU Drum Major. “I knew their
theory was wrong - the reason I lost had nothing to do with my gender and everything
to do with simply – my work ethic, and I promised myself, that was going
to change.” said Mitchell
The following year Mitchell took the example of Adam Prescott’s workout
discipline and tried to match his 3 to 4 hour-a-day practice schedule. “I
ran, I lifted weights, I watched videos of Drum Majors and studied the movements
and presence and every intricate detail I could about the OSU Drum Major. I dedicated
myself to practicing strutting and twirling every night in the winter and spring.
Although Adam was a competitor, his example really pushed me to work harder and
exceed my potential. Greg Eyer and Dale Wagner also helped me understand what
the essence being the OSU Drum Major meant and how to work towards accomplishing
that goal.” That spring Mitchell was named Assistant Drum Major for the
2002 season and the following year she became the Head Drum Major.
“
Like mostly all the other Drum Majors, I will never forget my “first
game”. It was the first game in the ‘Shoe’ against Washington
since the National Championship. Almost 900 OSUMB Alumni were there. During
the morning practice, I felt the burden to live up to all the great Drum
Majors before me, many of whom where standing on the sidelines of the newly
built marching band practice field watching my every move. At the same
time, I also felt their powerful support of me. Brian Berendts advised
me too, ‘just smile and have fun.’ And that is just what I
did. That day the marching band and I had a great performance.”
“
The thing I will remember most about my experience as Drum Major was the
joy I felt whenever I got in front of people to perform. I had the most
fun when I was on the field, in a concert hall or performing with the Alumni
Band. Through the marching band I was able to bring excitement and happiness
and touch people’s lives all over Ohio. I was able to represent a
unique and amazing group of people whose excellence I strongly believed
in and who I had spent many years looking up to and respecting. The hard
work and the obstacles I faced throughout my time as Drum Major will always
have been worth it to me.”
In 2003 the OSU Marching Band again went to the Fiesta Bowl and won over
Kansas State. During the off-season Mitchell took seriously her role in
recruiting for
the future by training many high school students to be OSU style Drum Majors. “Anywhere
from 2 to 10 students would show up twice a week to the French Field House for
a lesson.” said Mitchell. “It was quite an experience to orchestrate
the teaching of these great kids. Being the OSU Drum Major teaches you how to
handle tremendous responsibility along with leadership. It was very important
to me to give these kids the opportunities that Drum Majors of the past have
given me, and carry on the high standards that the Drum Major position at OSU
requires. Over the past two years I have seen growth in the excitement for Drum
Majoring all over Ohio. I have also seen great talent and potential from these
high school students. It is a good feeling to leave a position which you love
knowing the future of Drum Majoring at OSU is bright and strong.”
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